this blog is like a box of chocolates. I read a lot. I want tin can roses. I drink too much Lady Grey. I recite film lines to myself when I feel sad. I eat a lot of apple strudel. and this is my masterlist.
& i've left for a while. but why?
basement fighter(s)
favourite films:
Pride and Prejudice (2005)
And then the music you’ll recognise as being the music that we first hear when we enter Longbourn at the very, very beginning of the film….also by Dario, the composer,who composed it before we started filming. The reason I used the same music is because it would remind her of home.That finding the person you’re supposed to be with is like coming home.And that even though this house is so completely different from her house…it’s the same spirit, the same music moves there. (X)
- Joe Wright director’s commentary
post proposals:
go back now and say you’ve changed your mind! think of your family! you cannot make me.
what is it? jane, I’ve been so blind.
favourite films:
The King’s Speech (2010)
Director Tom Hooper makes an interesting decision with his sets and visuals. The movie is largely shot in interiors, and most of those spaces are long and narrow. That’s unusual in historical dramas, which emphasize sweep and majesty and so on. Here we have long corridors, a deep and narrow master control room for the BBC, rooms that seem peculiarly oblong. I suspect he may be evoking the narrow, constricting walls of Albert’s throat as he struggles to get words out. - Roger Ebert
favourite films:
The Illusionist (2006)
From the moment we enter this life we are in the flow of it. We measure it and we mock it, but we cannot defy it. We cannot even speed it up or slow it down. Or can we? Have we not each experienced the sensation that a beautiful moment seemed to pass to quickly, and wished that we could make it linger? Or felt time slow on a dull day, and wished that we could speed things up a bit?
cinematography porn:
Sherlock - A Scandal in Belgravia (2012)
Hp scenary
Harry Potter and the prisoner of azkaban (2/2)
cinematography porn:
Midnight In Paris (2011)
That Paris exists and anyone could choose to live anywhere else in the world will always be a mystery to me.
favourite films:
Inglourious Basterds (2009)
We punch those goons out, take their machine guns, and burst in there blasting!
cinematography porn:
Inglourious Basterds (2009)
You probably heard we ain’t in the prisoner-takin’ business. We in the killin’ Nazi business. And cousin, business is a-boomin’.
cinematography porn:
Downton Abbey (season 2/Christmas Special)
Highclere grandeur, the holy and the sinners, farewell & a proposal
cinematography porn (this is part two) (part one: x)
Shame (2011)
director: Steve McQueen | cinematography: Sean Bobbitt
